Master storyteller Neil Gaiman presents a breathtaking collection of tales for younger readers that may chill or amuse, but that always embrace the unexpected: Humpty Dumpty's sister hires a private detective to investigate her brother's death.A teenage boy who has trouble talking to girls finds himself at a rather unusual party.A boy raised in a graveyard makes a discovery, and confronts the much more troubling world of the living.

You are thousands of years old. You have amazing powers. You have watched civilizations rise and fall. So why does no one remember any of this? Bestselling Author Neil Gaiman (Marvel: 1602, Anansi Boys, Sandman) is joined by superstar artist John Romita Jr. (Amazing Spider-Man, Wolverine) to present a tale that will change the Eternals and the Marvel Universe forever! Collects Eternals #1-7.

This is the conclusion to the much talked about Sandman series. It may be best to start your Sandman acquaintance with earlier episodes, but The Wake stands as one of Neil Gaiman's strongest and most consistent Sandman volumes to date.

The immense popularity of Neil Gaiman's Sandman series is due in largepart to the development of his characters. In The Doll's House, the second book of the Sandman magnum opus, Gaiman continues to build the foundation for the larger story, introducing us to more of the Dream King's family of the Endless.The Sandman returns to his kingdom of the Dreaming after nearly a century of imprisonment, finding several things out of place; most importantly, an anomaly called a dream vortex has manifested itself in the form of a young girl who unknowingly threatens to rip apart the Dreaming. And there's the smaller matter of a few nightmares having escaped. Among them is Gaiman's creepiest creation: the Corinthian, a serial killer with a miniature set of teeth in each eye socket. Because later volumes concentrate so much on human relationships with Gaiman's signature fair for fantasy and mythology, it is sometimes easy to forget that the Sandman series started out as a horror comic. This book grabs you and doesn't let you forget that so easily. —Jim Pascoe

The third book of the Sandman collection is a series of four short comic book stories. What's remarkable here (considering the publisher and the time that this was originally published) is that the main character of the book—the Sandman, King of Dreams—serves only as a minor character in each of these otherwise unrelated stories. (Actually, he's not even in the last story.) This signaled a couple of important things in the development of what is considered one of the great comics of the second half of the century. First, it marked a distinct move away from the horror genre and into a more fantasy-rich, classical mythology-laden environment. And secondly, it solidly cemented Neil Gaiman as a storyteller. One of the stories here, "A Midsummer Night's Dream," took home the World Fantasy Award for best short story—the first time a comic was given that honor. But for my money, another story in Dream Country has it beat hands down. "A Dream of a Thousand Cats" has such hope, beauty, and good old-fashioned chills that rereading it becomes a welcome pleasure. —Jim Pascoe

In many ways, Season of Mists is the pinnacle of the Sandman experience. After a brief intermission of four short stories (collected as Dream Country) Gaiman continued the story of the Dream King that he began in the first two volumes. Here in volume 4, we find out about the rest of Dream's Endless family (Desire, Despair, Destiny, Delirium, Death, and a seventh missing sibling). We find out the story behind Nada, Dream's first love, whom we met only in passing during Dream's visit to hell in the first book. When Dream goes back to hell to resolve unfinished business with Nada, he finds her missing along with all of the other dead souls. The answer to this mystery lies in Lucifer's most uncharacteristic decision—a delicious surprise.

There is something grandiose about this story, in which each chapter ends with such suspense and drive to read the next. This book is best summed up by a toast taken from the second chapter: "To absent friends, lost loves, old gods, and the season of mists; and may each and every one of us always give the devil his due." —Jim Pascoe

When Brant and Charlene wreck their car in a horrible snowstorm in the middle of nowhere, the only place they can find shelter is a mysterious little inn called World's End. Here they wait out the storm and listen to stories from the many travelers also stuck at this tavern. These tales exemplify Neil Gaiman's gift for storytelling—and his love for the very telling of them. This volume has almost nothing to do with the larger story of the Sandman, except for a brief foreshadowing nod. It's a nice companion to the best Sandman short story collection, Dream Country, (and it's much better than the hodgepodge Fables and Reflections). World's End works best as a collection—it—it's a story about a story about stories—all wrapped up in a structure that's clever without being cute, and which features an ending nothing short of spectacular. —Jim Pascoe

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.

So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture.

And someone seems to have misplaced the Antichrist . . .

An astounding tale of adventure, danger, magic, science, friendship, spaceships, and, oh yeah, the battle to save all the people in all the worlds in all possible dimensions.

Joey Harker isn't a hero.

In fact, he's the kind of guy who gets lost in his own house.

But one day, Joey gets really lost. He walks straight out of his world and into another dimension.

Joey's walk between worlds makes him prey to armies of magic and science, both determined to harness Joey's power to travel between the dimensions. The only thing standing in their way is Joey—or, more precisely, an army of Joeys, all from different dimensions and all determined to save the worlds.

Now Joey must make a choice: return to the life he knows or join the battle to the end.

You may have heard somewhere that Neil Gaiman's Sandman series consisted of cool, hip, edgy, smart comic books. And you may have thought, "What the hell does that mean?" Enter A Game of You to confound the issue even more, while at the same time standing as a fine example of such a description. This is not an easy book. The characters are dense and unique, while their observations are, as always with Gaiman, refreshingly familiar. Then there's the plot, which grinds along like a coffee mill, in the process breaking down the two worlds of this series, that of the dream and that of the dreamer. Gaiman pushes these worlds to their very extremes—one is a fantasy world with talking animals, a missing princess, and a mysterious villain called the Cuckoo; the other is an urban microcosm inhabited by a drag queen, a punk lesbian couple, and a New York doll named Barbie. In almost every way this book sits at 180 degrees from the earlier four volumes of the Sandman series—although the less it seems to belong to the series, the more it shows its heart. —Jim Pascoe

One might think that the climax of the 10-volume Sandman series would come in the last book, or even the second to last. But indeed the heart and soul of Neil Gaiman's magnum opus lies here in Brief Lives. It could be because one of the most central mysteries—that of the Sandman's missing brother—is revealed here (in fact, the plot of this volume is the search for this member of the Endless). It could be because everything that comes after this volume, however surprising or unexpected, is inevitable. But it's more because this is a story about mortality and loss, the difficulty of change, the purpose of remembering, the purpose of forgetting, and the importance of humanity. If you have wanted to find out what all the good buzz on this great comic book series is about and haven't read any Gaiman before, don't be turned off by this volume's pivotal position in the larger story of the Sandman series. This book might actually operate better as a stand-alone story, in that its depth and compassion are more condensed, pure, and brief. —Jim Pascoe

Steven is afraid. Afraid of ghost stories, afraid of growing up... just afraid. That is, until he meets the mysterious Showman and his Theatre of the Real. Steven takes a ticket and watches the show on a dare, but getting out of the performance will be harder than he ever imagined. And then Steven learns what it is to be truly afraid. Neil Gaiman, internationally acclaimed and bestselling writer of both prose fiction (Neverwhere, Stardust) and graphic novels (The Sandman, Signal to Noise) teams with veteran artist Michael Zulli (The Sandman, Creatures of the Night) to create this dark and brooding morality tale. The Last Temptation is the latest addition to Dark Horse's proud and growing library of Neil Gaiman hardcovers. Originally published as part of the short-lived Marvel Music line of the early '90s, Zulli's lush and beautiful duoshade artwork is now showcased in a new format for this stunning second edition.

Come, come and hear of the strange and terrible tale of Miss Finch, an exacting woman befallen by mystery and abduction deep under the streets of London! New York Times bestselling author Neil Gaiman delivers another stunning hardcover graphic novel with longtime collaborator Michael Zulli (Creatures of the Night, The Sandman). This is the first comics adaptation of his popular story "The Facts in the Case of the Departure of Miss Finch," which saw print only in the U.K. edition of Gaiman's award-winning work Smoke and Mirrors: Short Fictions and Illusions and was recently interpreted for his Speaking in Tongues CD. The Facts in the Case of the Departure of Miss Finch is a "mostly true story" that combines the author's trademark magic realism with Zulli's sumptuous paintings, and has been newly rewritten for this hardcover. Join a group of friends, with the stern Miss Finch in tow, as they enter musty caverns for a subterranean circus spectacle called "The Theatre of Night's Dreaming." Come inside, get out of the pounding rain, and witness this strange world of vampires, ringmasters, illusions and the Cabinet of Wishes Fulfill'd.